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Josephine Baker - sexy dancer, WW2 heroine and campaigner against racism

Josephine Baker (1906-1975) was born in a poor, black slum in St Louis Illinois in 1906. Her young mother Carrie had hoped to be a music hall dancer but she was forced to take in laundry instead. She was of mixed ethnic background: Native American/African American, descended from Apalachee Indians and Black slaves in South Carolina. Her absentee father, Eddie Carson, was a vaudeville drummer.

At 8, Josephine was hired out to a vicious white woman as a maid. Fortunately she moved from the St Louis area at 13. From watching the dancers in a local vaudeville house, Jo­sephine graduated to dancing in a touring show based in Phil­ad­el­phia at age 16. Despite being born in 1906, she married Willie Wells in 1919 and Will Baker in 1921. She took her second husband's surname for herself.

Josephine joined the chorus line of the touring show of Shuf­fle Along in Boston in 1922. The comedy was prod­uced in NY by a renowned African American song­-writing team, becoming the first all-Black Broad­way musical. Later Josephine was in New York for the Chocolate Dandies at the Cotton Club and the floor show at the Plantation Club in Harlem with Ethel Waters. With her slim figure and comic interludes, her performing skills were developing nicely.

Josephine was recruited for an all-black dance troupe in Paris so she went there to be a well paid variety dancer at the Théâtre des Champs Elysées. With other African Amer­icans, she introduced le jazz hot. The Fren­ch adored American jazz and exotic nudity, and her show was perfectly fitted to the era. Plus there was none of the racism black performers met in the USA.

When Parisians became aware of African American jazz in the 1920s, African taste in art and sculpture was a great infl­uen­ce on the Cubist movement. Josephine's sculptured oval head and lithe body were perfect for the Art Deco style.

With her diamond collared cheetah, Chiquita, 
Baker was the rage of the Folies Bergère 

She was the favourite of artists and intellectuals like Picasso, Georges Roualt, Le Corbusier, Jean Cocteau and Ernest Hemingway. In 1925 she went to Paris to dance at the Théâtre des Champs-Élysées in La Revue Nègre. This most popular music-hall entertainer achieved star billing at the Folies-Bergère, where she amazed crowds with her danse sauvage in a G-string and bananas.  Unbridled sexuality!

In 1926, magazine covers and posters added to Josephine’s fame. That year she opened her own nightclub in Pigalle called Chez Joséphine, a chic affluent woman who paraded her pet cheetah down the elegant Champs Elysées.

In 1934 Baker performed in an operetta, Offen­bach's La Créole at Théâtre Marigny, opening for a 6 months run. Her agent Abatino helped Josephine evolve from a mere ex­otic dancer to being one of the high-paid stars in the wor­ld. Jos­ephine was in America with the Ziegfeld Follies in 1936 when her Abatino died. 

She became a French citizen in 1937. 

When Germany occupied Belgium in 1940, Josephine became a Red Cross nurse, watching over refugees. And when Germany occupied France itself, she worked for the French Resistance as an und­erground courier, writing secret information on her undies. In Oct 1940 she travelled from London to SW France, through Spain and Portugal, to Rio de Janeiro and back to Marseilles. Was she saving refugees? Spying for France?

Josephine lived in North Africa during WW2, where she’d suff­ered peritonitis. She underwent two operations in 1941 and 1942, leaving her weak. But she was not too weak to entertain troops in North Africa and the Middle East, as an officer in the Free French forces. But did the surgeries leave her infertile?

As an officer in women's auxiliary of the Free French forces,
Josephine was awarded the Croix de Guerre. 

She was awarded the Croix de Guerre and the Légion d'Honneur by General Charles de Gaulle. In 1947 she married jazz band­leader Joe Bouillon, and bought her 300-acre chateau and est­ate in the Dordogne in S.W France, Les Milandes. When she mar­ried Joe, she was middle‐aged, and already thinking of adoption.

Now a totally different woman. Miki Sawada had moved to Paris in 1932, her husband having been posted as a consul in the Japanese embassy. Josephine had first met Miki in Paris but didn’t visit Japan for the first time until 1954. There Miki was caring for abandoned mixed‐race children of American soldiers and Japanese women in Occupied Japan postwar. Josephine believed that these Occup­at­ion Babies, discriminated against by the Japanese, was an Amer­ic­an problem as well as a Japanese one. And she wished to bring two boys home to France at any cost. She was determined to adopt 12 children of various origins and raise her Rainbow Tribe toget­h­er from toddlerhood: a courageous woman!

Having experienced the deep‐rooted racism of America, Josephine dreamed of a racist-free society. She already knew about the Internat­ional League Against Racism and Anti‐Semitism/LICRA. And she married a Jew, Jean Lion, back in 1937. So, in addition to her concerts in Japan, Josephine’s key role was to make public speeches. The French branch of LICRA, founded in 1928 to fight anti‐Semitism in Eu­r­ope, asked her to give lectures, to estab­lish a sim­ilar organisation in Jap­an.

Josephine Baker, husband Joe Bouillon, and their Rainbow Tribe of adopted children
at Les Milandes, in the Dordogne

In 1951 Josephine’s trip to New York was damaged by a racial in­cident at the Stork Club. Even as  late as 1955, on her return to the U.S.A, she was questioned by immigration officials about her alleged anti-American and pro-Japanese views. The journalist Wal­ter Winchell and Senator McCarthy believed she was a communist.

She retired from the stage in 1956, but because of her need to maintain Les Milandes, Josephine was later obliged to return to work… until her death from a stroke in 1975! The Roman Catholic funeral service was held in a Paris church. 

In Europe and America, there had always been a lot of interest in Jos­ephine as a performer and in 1920-30s Parisian culture. But Josephine had another import­ant face: as an activist who chall­enged racism and war, a humanitarian and an idealist.

There are five biographies of Josephine Baker, including Jos­éphine (1978) which was written by her and by Joe Bouillon.


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